Fi Fraser Production Management

ABOUT

Fi Fraser Production Management is a limited company led by the multi-award-winning production manager Fi Fraser. With a wealth of experience overseeing the technical and production aspects of a broad range of live performances, she has the expertise to transform virtually any venue into a high-quality performance space.

Fi is highly skilled in managing multiple projects and shows simultaneously, and has a proven track record in complex production environments.

Most recently, she Production Managed her sixth Edinburgh International Children’s Festival for Imaginate.

Fi has been working with Grid Iron since 2001, where she has managed over 25 productions, including the recent *Muster Station: Leith*, a co-production with the Edinburgh International Festival. She also led the Stage Management team that won the 2004 Stage Management Association (SMA) Award for Excellence in Stage Management.

Since 2009, Fi has been working with Vanishing Point, managing both national and international tours for productions such as *Interiors*, *Saturday Night*, *Wonderland*, *The Beautiful Cosmos of Ivor Cutler*, *Tomorrow*, *The Destroyed Room*, *Tabula Rasa* (with the Scottish Ensemble), and *The Dark Carnival*. Most recently, Fi and her team took *Interiors* to the Barbican and performed at the International Mime Festival in London. They also successfully toured *Metamorphosis* in 2022, following its initial cancellation due to Covid in 2020.

During the Covid-19 pandemic, Fi Fraser worked on several innovative projects that remained unaffected by the restrictions. In 2020 and 2021, she was involved in *Field* and *Something for the Future Now* with Curious Seed at Holyrood Park. Fi also contributed to *Take A Seat* for the Envelope Room and The Royal Lyceum Theatre, as well as *The Lament For Sheku Bayoh* with The National Theatre of Scotland and The Royal Lyceum Theatre in 2020.

Fi played a key role in successfully delivering the first in-person festival in 2021—the Edinburgh International Children’s Festival for Imaginate. That same year, she served as the Festival Production Manager for Assembly Festival, overseeing more than 40 productions and artists across three venues.

Additionally, in 2021, Fi worked on her own project, *Production Management & Creating a Sustainable Sector*, funded by Creative Scotland’s Open Fund: Sustaining Creative Development Programme.

Fi Is one of the founding members of ARMS (Arts Resource Management Scotland) - https://artsresource.scot and continues to be on the Board of Directors.

FI HAS ALSO WORKED WITH:

The Traverse Theatre,  Perth Rep, Scottish Dance Theatre, Mull Theatre, Pitlochry Festival Theatre, The Citizens, The Byre, Unique Events, Suspect Culture, Visible Fictions, Scottish Opera, Dundee Rep, ThickSkin, Vox Motus (How to Steal a Diamond, SLICK, Bright Black and The Not-so-fatal Death of Grandpa Fredo), The National Theatre of Scotland (Extreme, Black Watch 2006, The Day I Swapped My Dad for Two Goldfish, Eve, First Snow - Premier Neige), Stellar Quines, (The Unconquered, Dare to Care & The Air That Carries The Weight, This Girl Laughs, This Girl Cries, This Girl Does Nothing), Ross McKay & Freshly Squeezed Productions (Velvet Evening Séance), Scottish Theatre Producers (The Sunshine Ghost and The Enormous Christmas Turnip), Polar Bears Go Up for The Polar Bears, Grandad & me and Super Human Heroes for The Letter J. Nigel Slater's Toast for PW Productions & The Lowry, Strawboys, Rob Heaslip Dance, PAST-inuous and A Wee Journey, Farah Saleh, AND, Charlotte Mclean, Creative Electric, Tortoise in A Nutshell, SHOTPUT and KT Producing.